The Pros and Cons of Co-Writing

By Ismer Riven | May 15, 2018

So, you and a fellow writer are considering taking the plunge. Co-writing, a relationship arguably as difficult, if not more so, than marriage. Though there are people who will warn you against it, there are also people who have had tremendous success in partnering with another writer. As one half of a co-author duo, I’ve found that for all of its challenges, co-writing can be an incredibly rewarding venture. In fact, I don’t think I’ll ever write alone again.

The #1 factor in being a successful author duo is Compatibility

via GIPHY

Like all great duos, you want to have good chemistry with your co-author. Otherwise, you might spend more time fighting about the direction of your story than writing it.

Below are some questions you should consider:

Do you both share similar goals for your current writing project, i.e. having character A and character Y end up together in the end, or prioritizing the action in the novel over the central romance?
If your story doesn’t contain multiple POVs, can you easily mold your writing into one consistent voice?
Similar interests. This should be the first question you ask yourselves. Is one of you a Sci-Fi writer and the other strictly non-fiction? If so, can you compromise on a story/plot for your project?
Are you comfortable criticizing and being criticized by one another? Co-writers have to be ready to have difficult conversations. No matter how compatible you are, there will be things that the other one does that you don’t like, or think can be better

This brings me to factor #2: Compromise

Stranger Things Stranger Things Gifs GIF from Strangerthings GIFs

As a solo author, you have the power to be the dictator of your prose. Every decision is yours to make. Hate character X? Kill him! Love word Y? Use it all the time! Sure, you might have to battle it out down the line with editors, but at least in the early stages, you have the complete freedom to shape and control the trajectory of your creative vision.

This is not the case for co-writing. It’s important when working with another author that you’re both on the same wavelength. I recommend discussing your disagreements at length. If you imagine that the main character is tall, but your co-author sees them as short, plead your case. Talk it out and see if maybe you can meet somewhere in the middle. This is also a great strategy for thinking things out. Whenever I’m stuck on a particular scene, I talk through it with my co-author, and the act of verbalizing my thoughts often helps me gain a clearer understanding of where I should go with it.

If you find another writer that you’re compatible with, and are able to compromise, go ahead and give it a shot! Once you’ve found the right partner, there are significant benefits from entering a writer partnership.

Reasons why co-writing can be awesome:

Two sets of eyes. Not only is this fantastic for proofreading, but it also helps with discovering potential plot holes and inconsistencies
A permanent person in your corner. Writing can often come with a lot of self-doubt, especially when you’re in the midst of the querying trenches or waiting for a response from a beta reader. With a co-author, you have someone to support you throughout the journey. Sometimes it’s nice to know you’re not alone
You split the work. Is there a scene that’s getting you down? Perhaps as a writer you’re more of a dialogue person than a description person? A co-author can help to fill in the spaces of your weaknesses. They’re awesome for helping with tough scenes, offering advice, and providing preliminary feedback before going to the betas

With that, I’ll set you free into the world again. Makes good choices, and let me know if you have any questions about co-writing!

-Riv

Tragedy in Fiction

By Ismer Riven | March 18, 2018

How do we deal with tragedy in the media that we consume?

“I hope they don’t die,” we think, as we grip onto the edge of our couch and stare up at the screen. Maybe there is no screen, perhaps the character in peril exists between the pages of a book instead.

Either way you are invested in their fictional life. Adrenaline is pumping through your veins. The suspense is nearly nerve-wracking.

For as long as stories have existed, writers have been throwing their creations into the throes of danger. Sometimes this is to keep the audience captivated; ending chapters, episodes, or entire stories in cliffhangers where the fate of a beloved character is hanging in the balance. Do they live? Do they die? You must know, and so you are compelled to continue onward.

But what happens when there’s resolution, and that character, the one that kept you going, has died?

Does killing off characters turn off readers? Does it ruin a story, or help it?

For readers, the answers to these questions are often determined on a case by case basis. However, to some, the pain, or loss, is just too great. It leaves a sour taste in their mouth and a poor memory of the work, even if they had enjoyed it otherwise. To others, as long as the death is justified and not being used purely for shock factor, it’s a necessary evil, one that enhances the story and provides a much-needed emotional weight.

As a writer who has never shied away from killing off a character when the plot called for it, I’ve been frequently warned that readers don’t enjoy “unhappy” endings. But is that true? Tragedies are a staple in the writing world. In fact, many of the classics have endings that are easily classified as “unhappy,” such as Romeo and Juliet, Anna Karenina, The Great Gatsby… These works all end in misfortune or disaster for the main characters, and yet we love them still. So perhaps we, as readers, secretly enjoy it when tragedy strikes – we simply don’t like to admit it.

Ultimately, it’s a fine line to walk, and everyone will have a differing opinion. After all, that’s the beauty of storytelling. Every reader can interpret it in their own way. That’s why it’s probably best not to worry too deeply about how your readers will interpret your ending, and fret over whether or not they’ll love or hate it. Most likely, if you’ve written it well enough, they’ll do both.

An Introduction of Sorts

By Ismer Riven | March 14, 2018

So… where to begin?

Wouldn’t a blog just be easier if it generated content for itself? After all, there’s something about starting from scratch that just feels so, well, daunting.

For starters, I’m Ismer, but I go by Riven, or Riv. I talk less than Shorn, but I have more to say.

Shorn and I write. “Write what?” you might ask. Well maybe you didn’t ask, but I’ll go ahead and give you an answer regardless.

For the past year and a half we’ve been working on a series of stories that take place in a strange little world of our own devising. A world that I could go and describe for you now, but why would you care? You wouldn’t. Not yet.

So I guess we’re here to accomplish that. We want to share our world, but first we have to make people care about it.

Let’s get to that shall we?

All the best,

Riv <3

*Ahem*

Is she done? Good, I was getting tired.

Well, hello there! Don’t be shy. We’re all friends here. Except for Riven and I, sometimes. I’m Shorn, and welcome to my little slice of… whatever this is. I guess it’s whatever we make of it.

On that note, there are loads of things I’m eager to share with you. Characters, adventures, entire worlds, even. Or we can just hang out and talk. If you don’t know anything about me yet, know this – I love to talk. I can and will talk about nearly anything. So it’s up to you if you want to listen. I don’t blame you if you don’t. After all, I can barely listen to myself sometimes.

Well, without any further delay – welcome. Welcome to our sanctuary. Which I hope soon becomes your sanctuary.

May your path always be clear, and your step be swift. Travel well, friends.

Shorn

Category: Riven